By now, you’ve undoubtedly heard about the 50th anniversary edition of Sgt. Pepper’s Lonely Hearts Club Band. It was remixed by Giles Martin, son of original Beatles producer George Martin. If the word “remix” gives you pause in the context of a classic like Sgt. Pepper’s – don’t worry. It’s more of a restoration. You can read all the details elsewhere, but I wanted to put down a couple of thoughts.
- It’s fantastic. Let’s just get that out of the way to begin with. Martin did a fabulous job. I can only imagine the pressure of feeling like “you better not screw this up” on something as beloved as this.
- Since the album was originally released a few months before I was born, I obviously don’t remember that. What I do remember was the original CD release. In 1987 (I was in college), the Beatles albums were finally being released on CD. As I recall, they released them in batches – first 4 together, next 3 together, and then, on the 20th anniversary of its original release – the Sgt. Pepper CD was released by itself. I remember going to the record store (yes – there used to be record stores) that day to get it. Much ado was made about “It was 20 years today…” at that point. Hard to believe that that was 30 years ago (seems like yesterday). What’s not hard to believe is that the album is still hugely popular and influential.
- I have said before that I think “Stay With Me” by The Faces has just about the perfect beginning to a rock and roll song. Listening to this, I realize the same thing can be said about “Lovely Rita”. The opening is perfect and even better on this version. Not only do the harmonies really pop, but even the kazoo sounds really come through.
- I don’t usually think of Paul McCartney in the category of “best rock and roll bass players” – not because he’s not fantastic, but because what he doesn’t fill the traditional role of a bass player (John Paul Jones of Led Zeppelin is my favorite at this). He’s doing a completely different thing with the instrument. The bass line on “With A Little Help From My Friends” is a great example of this, and it really comes through now. I was listening to this while making breakfast this morning and realized I had a huge smile on my face. “Delightful” isn’t a word I use very often, but that’s the best word I can think of for it.
- I love how you can really hear Paul, John, and George’s individual voices during the three part harmonies.
- The cymbals are clearer and the kick drum really come through. (The end of “Good Morning Good Morning” is a great example of this.)
If you haven’t listened to it yet, set aside a few minutes. I definitely recommend headphones to really pick up all the nuances.
Well done Giles Martin. Thank you for this.